Kelly Worman (b.1983) is an artist, curator, professor, and archivist based out of New York City. She holds an M.F.A. from Pratt Institute (2011) in New York, and an M.A. in Culture, Criticism, and Curation with distinction from Central Saint Martins (2015) in London. Worman teaches at Pratt Institute in New York. Recent exhibitions this year include “Women’s Work” at NARS Foundation in Brooklyn, NY, “Wildernesses” at Peninsula Art Space in Brooklyn, NY, “You + Me + Everyone” (solo exhibition) at Pratt Institute in New York, NY, "Summer of Love" at Freight + Volume in New York, NY, the Invitational at Barney Savage Gallery in New York, NY, "WE: Women Empowering Women" at Borghese Gallery on the North Fork, and "I See an Omen" at Benaco Arte in Sirmione, Italy. Worman was featured in NY Arts Magazine as one of "30 Artists to Watch" in 2012. Recent curatorial projects include "Shapes of Curiosity" at The Schneider Museum of Art in Oregon, "Surface Tension" and "Land After Time" at E.Tay Gallery in New York, NY and the last three (2015, 2016, 2017) Pratt Alumni Exhibitions at Pratt Institute in Brooklyn, NY. Other recent projects and publications include "Karen Barth: Works 1979 - 2014" (a catalogue raisonné), "WYSIWYG?- What you see is what you get?" (a project in collaboration with South London Gallery, investigating the impact of the digital world on art and culture in the 21st century), the Studio Spoken project (interviewing artists about their studio practice), and "The (W)hole Picture– Transgressing/Abjecting Subjectivities in Art" in Unknown Quantities (written with Janice Mitchell). Worman also writes and speaks extensively on color theory, the role of artist as curator, and arts and economics at multiple institutions internationally. In addition to making work about the female experience, she is also an involved activist for women's rights, recently creating the fundraising campaign "Art for Reproductive Rights". 

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